The artist Léa Dumayet invited olfactory designer Daphné Perryman-Holt to develop an immersive installation within her exhibition CILIA. The olfactory layer developed in situ brings the public through the elements fundamental to the making of glass. Propelling the audience through the space, volatile molecules extend the work beyond what can be seen. Glass, metal, light, space, scent, and void form a permeable structure, where intention is carried, tested, and amplified through each material.

The artist Léa Dumayet invited olfactory designer Daphné Perryman-Holt to develop an immersive installation within her exhibition CILIA. The olfactory layer developed in situ brings the public through the elements fundamental to the making of glass. Propelling the audience through the space, volatile molecules extend the work beyond what can be seen. Glass, metal, light, space, scent, and void form a permeable structure, where intention is carried, tested, and amplified through each material.

The artist Léa Dumayet invited olfactory designer Daphné Perryman-Holt to develop an immersive installation within her exhibition CILIA. The olfactory layer developed in situ brings the public through the elements fundamental to the making of glass. Propelling the audience through the space, volatile molecules extend the work beyond what can be seen. Glass, metal, light, space, scent, and void form a permeable structure, where intention is carried, tested, and amplified through each material.

The artist Léa Dumayet invited olfactory designer Daphné Perryman-Holt to develop an immersive installation within her exhibition CILIA. The olfactory layer developed in situ brings the public through the elements fundamental to the making of glass. Propelling the audience through the space, volatile molecules extend the work beyond what can be seen. Glass, metal, light, space, scent, and void form a permeable structure, where intention is carried, tested, and amplified through each material.

The artist Léa Dumayet invited olfactory designer Daphné Perryman-Holt to develop an immersive installation within her exhibition CILIA. The olfactory layer developed in situ brings the public through the elements fundamental to the making of glass. Propelling the audience through the space, volatile molecules extend the work beyond what can be seen. Glass, metal, light, space, scent, and void form a permeable structure, where intention is carried, tested, and amplified through each material.

The artist Léa Dumayet invited olfactory designer Daphné Perryman-Holt to develop an immersive installation within her exhibition CILIA. The olfactory layer developed in situ brings the public through the elements fundamental to the making of glass. Propelling the audience through the space, volatile molecules extend the work beyond what can be seen. Glass, metal, light, space, scent, and void form a permeable structure, where intention is carried, tested, and amplified through each material.

The artist Léa Dumayet invited olfactory designer Daphné Perryman-Holt to develop an immersive installation within her exhibition CILIA. The olfactory layer developed in situ brings the public through the elements fundamental to the making of glass. Propelling the audience through the space, volatile molecules extend the work beyond what can be seen. Glass, metal, light, space, scent, and void form a permeable structure, where intention is carried, tested, and amplified through each material.

In spring 2026 in Venice, glass artisan Luna Darin worked with the artist Léa Dumayet on the site-specific installation for the exhibition CILIA, bringing the precision of traditional Venetian glass bead-making into the work’s exploration of microscopic biological structures translated into suspended glass form.

In spring 2026 in Venice, glass artisan Luna Darin worked with the artist Léa Dumayet on the site-specific installation for the exhibition CILIA, bringing the precision of traditional Venetian glass bead-making into the work’s exploration of microscopic biological structures translated into suspended glass form.

In spring 2026 in Venice, glass artisan Luna Darin worked with the artist Léa Dumayet on the site-specific installation for the exhibition CILIA, bringing the precision of traditional Venetian glass bead-making into the work’s exploration of microscopic biological structures translated into suspended glass form.

In spring 2026 in Venice, glass artisan Luna Darin worked with the artist Léa Dumayet on the site-specific installation for the exhibition CILIA, bringing the precision of traditional Venetian glass bead-making into the work’s exploration of microscopic biological structures translated into suspended glass form.

In spring 2026 in Venice, glass artisan Luna Darin worked with the artist Léa Dumayet on the site-specific installation for the exhibition CILIA, bringing the precision of traditional Venetian glass bead-making into the work’s exploration of microscopic biological structures translated into suspended glass form.

In spring 2026 in Venice, glass artisan Luna Darin worked with the artist Léa Dumayet on the site-specific installation for the exhibition CILIA, bringing the precision of traditional Venetian glass bead-making into the work’s exploration of microscopic biological structures translated into suspended glass form.

In spring 2026 in Venice, glass artisan Luna Darin worked with the artist Léa Dumayet on the site-specific installation for the exhibition CILIA, bringing the precision of traditional Venetian glass bead-making into the work’s exploration of microscopic biological structures translated into suspended glass form.

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement. The conversation explores bringing internationally acclaimed artists into dialogue with local community, and a vibrant sculpture park.

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement. The conversation explores bringing internationally acclaimed artists into dialogue with local community, and a vibrant sculpture park.

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement. The conversation explores bringing internationally acclaimed artists into dialogue with local community, and a vibrant sculpture park.

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement. The conversation explores bringing internationally acclaimed artists into dialogue with local community, and a vibrant sculpture park.

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement. The conversation explores bringing internationally acclaimed artists into dialogue with local community, and a vibrant sculpture park.

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement. The conversation explores bringing internationally acclaimed artists into dialogue with local community, and a vibrant sculpture park.

Curator and director Rachel Moore speaks with Elisabeth de Brabant about her journey from New York City to the Art Center in Stowe, where she merges curatorial vision with community engagement. The conversation explores bringing internationally acclaimed artists into dialogue with local community, and a vibrant sculpture park.

A talk in transmission with artists Geraldine Cario, Emma Waltraud Howes and Edit Schlaffer, founder of WwB and Elisabeth de Brabant, founder of Galleria dei Gondolieri

A talk in transmission with artists Geraldine Cario, Emma Waltraud Howes and Edit Schlaffer, founder of WwB and Elisabeth de Brabant, founder of Galleria dei Gondolieri

A talk in transmission with artists Geraldine Cario, Emma Waltraud Howes and Edit Schlaffer, founder of WwB and Elisabeth de Brabant, founder of Galleria dei Gondolieri

A talk in transmission with artists Geraldine Cario, Emma Waltraud Howes and Edit Schlaffer, founder of WwB and Elisabeth de Brabant, founder of Galleria dei Gondolieri

A talk in transmission with artists Geraldine Cario, Emma Waltraud Howes and Edit Schlaffer, founder of WwB and Elisabeth de Brabant, founder of Galleria dei Gondolieri

A talk in transmission with artists Geraldine Cario, Emma Waltraud Howes and Edit Schlaffer, founder of WwB and Elisabeth de Brabant, founder of Galleria dei Gondolieri

A talk in transmission with artists Geraldine Cario, Emma Waltraud Howes and Edit Schlaffer, founder of WwB and Elisabeth de Brabant, founder of Galleria dei Gondolieri